關於里昂庭國際控股集團
▌創辦理念
里昂庭®打造全方位資源整合．橫跨藝術，金融，珠寶，地產，大健康與影視六大產業，形成一個以愛為核心、以家庭為根基的高端產業聯盟，開創全新商業格局。
品牌名稱「里昂庭®」蘊含深意：
「里」由「田」組成，象徵土地與生活的根本
「昂」代表昂首闊步、勇於前行
「庭」則寓意家庭、歸屬與穩定
三字結合，呈現出如「大家庭」般的溫暖與力量，體現了品牌對於穩定感與共融精神的重視。
商標由集團創辦人黃韻庭女士（Vivian Huang）親自設計。從宏觀視角看，是一隻展翅高飛的老鷹，象徵自由、視野與無限可能；從微觀細節看，這隻老鷹是由兩個象徵「庭」的變形圖騰與六個象徵幸運的數字6所構成，寓意「以愛為出發點、以家庭為核心」，象徵「六六大順、吉祥平安」。
這個獨特的圖像語言傳達出一個信念，每個人內在皆蘊含無比的力量，而這股力量源自於愛與歸屬。流（6）浪久了，總會渴望留下（6）；留下的是家，溫暖的是心。六（6）月湖邊垂柳，養潤的是庭；登陸（6）後回歸的仍是庭。愛讓家庭成為宮廷，愛讓人願意「挺庭」而立。里昂庭®正是以這份信念，串聯六大產業、攜手共創美好未來。
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集團創辦人
黃韻庭女士 Vivian Huang
黃女士擁有多重國際榮譽與領導職務，其商標肖像權已於亞洲、歐美、東南亞等地完成註冊保護，並在亞洲、歐盟27國及多個地區廣泛應用與宣傳。
里昂庭®商標具高度辨識度與品牌影響力，成功塑造出一個全球獨一無二、面向高端客群與個性化互聯網運營的國際品牌。
「里昂庭®」專屬LINE貼圖上市嘍！🌹
歡迎👏下載🌹🌹🌹
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▌Founding Philosophy
L.A.T. International Holdings Group Co., Ltd. (hereinafter referred to as L.A.T.®, and branded as L.A.T.®) is dedicated to building a comprehensive, cross-industry platform that integrates resources across six major sectors: art, finance, jewelry, real estate, wellness, and film & media. Rooted in love and centered around family, L.A.T.® forms a premium industrial alliance, pioneering a new model of luxury living and business collaboration.
The name “L.A.T.®” carries profound symbolic meaning.
L. (里) is derived from the character fram, symbolizing land and the foundation of life.
A. (昂)suggests pride, ambition, and forward momentum.
T. (庭)conveys the spirit of home, belonging, and harmony.
Together, these three characters reflect unity, strength, and familial warmth—embodying the essence of a “grand family.”
The L.A.T.® trademark was personally designed by the Group’s founder, Ms. Vivian Huang. Viewed from a distance, the design features a soaring eagle, symbolizing freedom, global vision, and limitless possibilities. On closer inspection, the eagle is composed of two stylized 庭 (Ting) characters—representing both “home” and Ms. Huang’s name Yunting—and six number 6s, which are auspicious symbols in Chinese culture. This design reflects the core values of L.A.T.®: love as the foundation, family as the core, and the spirit of “six six brings success and harmony.”
The emblem tells a story:
Each person possesses inner strength—and it is love that awakens it. After drifting (6), we long to stay (6); and what we stay for is home. In June (6), the lake’s willows nurture the courtyard. When joy arises, we return (6) to the heart—to the “Ting.” Love transforms a house into a palace. Where love exists, people choose to stand strong—for their “Ting.”
L.A.T.® embodies this belief—uniting six industries to co-create a brighter, more harmonious future.
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Founder
Ms. Vivian Huang
Ms. Vivian Huang is a distinguished leader with a wealth of achievements across diverse sectors. She holds numerous international accolades and serves in key leadership roles. Her portrait rights are officially registered in Asia, Europe, the United States, and Southeast Asia. The L.A.T.® trademark is actively promoted and widely recognized across 27 EU countries, Asia, and other regions.
L.A.T. International Holdings Group Co., Ltd. (L.A.T.®) has established itself as a one-of-a-kind global brand, delivering bespoke, high-end services through an innovative and integrated internet-based business model tailored to elite clientele.
打造世界第一 獨一無二的全方位高端客群及客製化互聯網 |
結合藝術，金融，珠寶，地產，大健康，影視 全方位六大產業，進入家庭核心 |
| 以愛為出發點，以家庭為核心 家庭，以心為恒星不滅 團聚，以愛為羽翼呵護不斷 愛的真諦為首，數字為輔 凝聚正能量，轉動世界輪盤 |
▌全球創舉
將《蒙娜麗莎》與《媽祖神明衣》同框於羅浮宮封館之夜
2019年9月30日，在全球最受歡迎、擁有千萬遊客與歐洲最偉大藝術收藏的法國羅浮宮博物館，由台灣主辦方—里昂庭國際控股集團獨家策辦，以東方文化為主題，呈現《紅樓夢境》跨界展演。活動地點選在羅浮宮德農館（Denon）與黎塞留館（Richelieu）兩大展區，僅限50位VVIP嘉賓參與，無需排隊，即可沉浸式感受藝術與奢華的極致體驗。
東西方女神首次同框：《蒙娜麗莎》 × 《媽祖神明衣》
活動最大亮點為：擁有400年歷史的嘉義新港奉天宮媽祖神明衣，與羅浮宮鎮館之寶《蒙娜麗莎的微笑》同框展出，被譽為「東西方女神的首次會面」。這件媽祖神明衣展現了台灣傳統手工刺繡的極致工藝，融合當代時尚語彙，讓國際社會得以看見台灣民間藝術的文化價值與女性溫雅力量的象徵。
跨界整合 × 國際規格製作
此場展演由里昂庭斥資上千萬新台幣，歷時僅90天，動員來自台灣的表演藝術家、模特兒、創業家、傳統工匠、時尚設計師與AR科技團隊共同合作，實現文化科技與藝術的深度結合。主持人特別邀請法國知名音樂家、DJ與演員Ariel Wizman擔綱，他曾主持Hermès、LV、Chanel等品牌活動，也是蓬皮杜藝術中心40週年慶與GPDP國際設計獎頒獎典禮主持人，與世界時尚教父卡爾·拉格斐有多次合作經歷。
國際重量級嘉賓雲集
受邀參與的貴賓包括：
法國旅遊發展署主席 Christian MANTEI
法蘭西學院院士、漢學家 Marianne Bastid-Bruguière 女士
法國時尚雜誌《Luxe Magazine》與設計師 Corine Moreau
電影導演 Pascal Bourdiaux
法國奢侈品牌 Le Tanneur 董事長 Eric Dailey 伉儷
人民日報法國融媒體中心總經理 陳翔
活動當晚於羅浮宮唯一授權合作的Café Mollien內，為貴賓獻上米其林星級料理，尊榮款待，讓文化交流與味蕾饗宴並行。
跨國創意呈現：AR結合《蒙娜麗莎》與創辦人微笑
為感謝集團創辦人黃韻庭女士 Vivian Huang的全力推動，來自台灣的AR團隊以高科技方式，結合《蒙娜麗莎》與創辦人微笑的靈感巧思，致敬藝術巨匠李奧納多・達文西。
同時，羅浮宮特別展出多幅世界名畫與文物，包括：
《瑪麗皇后在馬賽港登陸》
《米洛的維納斯》
《勝利女神像》
《愛神與賽姬》
《自由領導人民》
聯動台灣國立故宮博物院經典典藏，如：
顧愷之《洛神圖》
黃庭堅《七言詩書法》
汝窯青瓷紙槌瓶
馬遠《華燈侍宴圖》
曹文埴《妙法蓮華經書法》
王淵《花卉圖冊》等
向華人建築巨匠致敬 × 臺灣文化全球閃耀
本次活動也融入《紅樓夢》、《清明上河圖》的東方經典意象，並向羅浮宮金字塔建築師貝聿銘大師默默致敬。國際媒體包括 Twitter、WBOC16、KAKE NEWS、WRCBTV、Digital Journal 等皆專文報導，盛讚本次活動為台灣藝術文化走向國際的重大里程碑，感動人心，為全球無國界的藝術長河中添上濃墨重彩的一筆。
工商時報:https://ctee.com.tw/industrynews/287461.html
On September 30, 2019, the Louvre Museum—home to the greatest art collections in Europe and one of the world’s most visited cultural institutions—opened its doors for an extraordinary, private evening hosted by L.A.T. International Holdings Group, a Taiwan-based organization. Under the theme “Dream of the Red Chamber”, this exclusive cross-cultural showcase took place within the Denon and Richelieu wings of the Louvre, welcoming only 50 VVIP guests for a once-in-a-lifetime, queue-free luxury experience.
East Meets West: A Historic Encounter Between the Mona Lisa and the Mazu Sacred Robe
The evening's highlight was the unprecedented display of Taiwan’s “Mazu Sacred Robe”—a sacred embroidered garment from the Fengtian Temple in Xingang, Chiayi, with a cultural legacy of over 400 years—exhibited side by side with the 516-year-old Mona Lisa. The symbolic pairing was hailed as “a divine meeting between Eastern and Western goddesses.” This sacred robe, showcasing the exquisite artistry of Taiwanese traditional embroidery infused with modern fashion aesthetics, introduced global audiences to the cultural depth and artistic value of Taiwan’s folk craftsmanship. Once a symbol of feminine grace, embroidery has long played a meaningful role in traditional aesthetics, embodying inner beauty, wisdom, and elegance.
A Multidisciplinary Production of Global Scale
This historic event was orchestrated through a 90-day creative challenge, fully funded by L.A.T. International Holdings Group with an investment exceeding NT$10 million. The production brought together a wide range of Taiwanese talents, including performers, models, entrepreneurs, traditional artisans, fashion designers, and AR technology teams, showcasing the richness of Taiwan’s interdisciplinary innovation.
Renowned French artist and cultural figure Ariel Wizman—a celebrated DJ, actor, and host known for leading events for Hermès, Louis Vuitton, Chanel, the Centre Pompidou’s 40th anniversary, and the GPDP Design Awards—was invited to host the evening. His presence elevated the event to an international level, highlighting L.A.T.'s cultural influence within global luxury and art circles.
VIP Guests and Michelin-Starred Hospitality
The exclusive guest list included:
Christian MANTEI, President of Atout France (France Tourism Development Agency)
Marianne Bastid-Bruguière, Sinologist and Member of the Académie des Sciences Morales et Politiques
Representatives from Luxe Magazine and designer Corine Moreau
Film director Pascal Bourdiaux
Eric Dailey, Chairman of French luxury brand Le Tanneur, and his spouse
Chen Xiang, General Manager of People's Daily France Media Center
Guests enjoyed a fine dining experience with Michelin-starred cuisine served inside the Café Mollien, the only official catering partner within the Louvre.
Technological Innovation and Cultural Tribute
As a tribute to the vision and investment of Vivian Huang, founder of L.A.T. International Holdings Group, a Taiwanese AR team created an interactive installation that blended the legendary smile of the Mona Lisa with a creative homage to Vivian Huang’s own smile, symbolizing the convergence of classical art and modern technology.
In addition, the Louvre presented a selection of world masterpieces, including:
Mary, Queen of Scots Disembarks at Marseille
Venus de Milo
Winged Victory of Samothrace
Cupid and Psyche
Liberty Leading the People
These were paired with iconic treasures from Taiwan’s National Palace Museum, including:
The Goddess Luo River by Gu Kaizhi
Calligraphy by Huang Tingjian
Ru ware porcelain hammer vase
Lantern Night Banquet by Ma Yuan
Lotus Sutra by Cao Wenzhi
Floral Album by Wang Yuan
Honoring the Legacy of I.M. Pei and Celebrating Taiwan’s Cultural Brilliance
The exhibition also paid silent tribute to Chinese-American architectural master I.M. Pei, designer of the Louvre Pyramid, and wove in classical Eastern imagery from Dream of the Red Chamber and Along the River During the Qingming Festival, embodying Taiwan’s cultural pride on a global stage.
International media outlets such as Twitter, WBOC16, KAKE News, WRCBTV, and Digital Journal featured special reports on the event, praising L.A.T. for its groundbreaking cultural diplomacy and deeply moving tribute to art without borders.
Source: 工商時報
羅浮宮 Louvre Museum｜世界最受歡迎的藝術殿堂
位於法國巴黎的羅浮宮博物館（Musée du Louvre）是世界上最具知名度、參觀人次最多的博物館之一。每年吸引逾900萬人次造訪，比排名第二的英國大英博物館多出約300萬人，平均每日接待多達三、四萬名觀眾。
羅浮宮最具代表性的地標為外部的玻璃金字塔，由華裔建築大師貝聿銘（I.M. Pei）所設計，已成為巴黎文化地標之一。
整座博物館展區橫跨超過60萬平方公尺，主要分為三大展館：
黎塞留館（Richelieu Wing）：西側
敘利館（Sully Wing）：正中
德農館（Denon Wing）：東側
羅浮宮共設有地上三層與地下兩層樓，包含豐富的繪畫、雕塑、古文物、工藝品等展品。其中「鎮館三寶」為：《蒙娜麗莎》（Mona Lisa）、《薩莫色雷斯島的勝利女神像》、（Winged Victory of Samothrace）、《米洛的維納斯》（Venus de Milo），此外，德農館內的 Café Mollien 咖啡館，本身空間莊嚴典雅，有如城堡氛圍，為羅浮宮內部唯一高規格授權合作的用餐場域。
「封館之夜」的意義與價值
所謂「封館」，指的是羅浮宮官方在特定時段內完全關閉對外開放，僅限獲得官方授權的指定人士或機構，得以進入整個展覽區域，進行私人觀展、文化展演、或頂級招待等活動，這樣的機會極為珍貴、稀有，極具國際藝術與外交價值。
關於「卡魯賽爾廳（Carrousel）」，與里昂庭主辦的活動無關連
羅浮宮地下商場與博物館之間設有一處通道空間，稱為卡魯賽爾廳（Carrousel du Louvre），設有40多家商店與展覽空間。雖與羅浮宮主建築相連，但並非羅浮宮主體建築或展館本身的一部分，也與羅浮宮官方的藝術策展與藏品管理無直接關聯。因此，曾有其他機構對外宣稱「於羅浮宮展出」但實際活動舉辦於「卡魯賽爾廳」，此類情形應予明確區分，不得混淆於真正進入羅浮宮主體館區、如德農館等地所舉辦之官方授權活動。
（圖:羅浮宮平面圖 https://www.louvre.fr）
The Louvre Museum | The World’s Most Visited Cultural Landmark
Located in Paris, France, the Louvre Museum (Musée du Louvre) is one of the most prestigious and most visited museums in the world. It welcomes over 9 million visitors annually, outpacing the British Museum in London (ranked second) by approximately 3 million visitors. On average, the Louvre receives 30,000 to 40,000 guests daily.
Its most iconic architectural feature is the glass pyramid, designed by internationally acclaimed Chinese-American architect I.M. Pei, now a cultural symbol of Paris itself.
The Louvre spans more than 600,000 square meters, with exhibition areas distributed across three main wings:
Richelieu Wing (west)
Sully Wing (central)
Denon Wing (east)
The museum comprises five levels—three above ground and two below—housing a rich and diverse collection of paintings, sculptures, antiquities, and decorative arts. Its three most celebrated masterpieces, known as the "Louvre’s Crown Jewels," are:
Mona Lisa
Winged Victory of Samothrace
Venus de Milo
Within the Denon Wing lies the Café Mollien, an elegant, castle-like dining venue. As the only officially authorized restaurant within the Louvre, it offers a refined environment that complements the museum’s prestigious atmosphere.
The Significance of “Museum Closure Nights”
A “closed-door” night at the Louvre refers to a highly exclusive event in which the entire museum is closed to the general public and only accessible to authorized guests or institutions. During these rare occasions, invitees are granted private access to the museum’s full exhibition spaces for viewings, cultural performances, or high-level receptions. Such events carry immense cultural, diplomatic, and symbolic value on the international stage.
"For clarification, the Carrousel du Louvre is not associated in any way with the event hosted by L.A.T. International Holdings Group."
The Carrousel du Louvre is an underground shopping and exhibition arcade that connects to the main Louvre complex. It features over 40 retail stores and event spaces. While physically adjacent to the museum, the Carrousel is not part of the Louvre’s core exhibition wings or official curatorial spaces, and it operates independently from the museum’s art and cultural programming.
In some cases, unrelated organizations have claimed to host “exhibitions at the Louvre” when in fact their events were held within the Carrousel du Louvre, not the museum itself. These instances should be clearly distinguished from officially sanctioned events held inside the Louvre’s main exhibition halls, such as the Denon Wing, and should not be misrepresented as events endorsed by the Louvre’s official curators or administration.
▌願景
